AS I PREPARE TO VENTURE INTO NEW DIRECTIONS. I PAY HOMAGE TO THE OLD WORK I HAVE DONE THAT PLEASED ME WELL

The daily world of television is glossed over by politics and religion. Not much is reliable. Unless you have already fell victim to the lies. Venture into subcultures and therein find out what real people are doing. You may not find any truths, but you'll marvel at how much we all are missing.

IF I WERE TO LOSE THE ABLITY TO TAKE PHOTOS THESE ARE WHAT I WOULD WANT TO BE REMEMBERED FOR HERE OM MUSECUBE

Shooting for Boutiques gives me direct access for styling. I do trade-off shoots with Boutiques and then give them print worthy images for their use.

A sudent of the arts. She pays attention in class. See her sport her own designs

I'VE FINALLY MADE A NEW FRIEND. SEE HER AT www.maria4u99.net Or see her here. .

I dabble in painting but I call it doodles. I review films for cinematl.com but call it writing. Hence I am called an artist but I consider myself a photographer.

ALL OR MOST OF THE MODELS FEATURED HERE ARE BEING CONSIDERED FOR CONTRACTS WITH ONE OF MY CLIENTS. PHOTOGRAPHERS, STYLIST AND MUA CAN BOOK THEM FOR TESTS AND PROJECTS

FOR THOSE WHO ARE NOT INTERESTED IN MY FASHION AND EDITORIAL WORKS. WITH MY SCENIC WORK COMES A SENSE OF STORY WRITING.

MY WORK SCREAMS SO "EXPECT STATIC" IN MY FASHION

SEVERAL MONTHS AGO I TOOK A CHANCE ON A TALENTED YOUNG LADY. THAT YOUNG LADY CAME TO ME KNOWING SHE WAS BLESSED AND READY. WHAT I DID NOT KNOW WAS THAT MONTHS LATER TINA WOULD COME BACK TO ME. NOW TINA ARNOLD IS MORE THAN READY, SHE IS "STAGE READY". IF YOU WANT TO LEARN MORE ABOUT "STAGE READY, GO TO www.stageready.net. SUFFICE TO SAY, TALENT DEVELOPEMENT IS IN ATLANTA. AS THE PRINCIPLE PHOTOGRAPHER WORKING WITH STAGE READY, I ENVITE YOU TO WATCH TINA AND HER STAFF DEVELOPE THOSE WHO CONTRACT WITH STAGE READY.

DURING THE EARLY 1990'S THE ONE COMMENT THAT I GOT FROM ON LOOKERS AND PATRONS ALIKE WAS, "YOU CERTAINLY HAVE A 'GOOD EYE'." I EXHIBITED MY SCENIC AND LANDSCAPE BACK THEN. THE WORK HEREIN IS AMONG THAT WORK. ALL ARE UNDER COPYRIGHT AND ARE FOR SALE. COMTACT ME AT KEVINIS40@YAHOO.COM FOR PRICES AND SHIPPING INFORMATION

I FIRST STARTED SHOOTING SHONI WHILE I WORKED ON THE ATL GUIDE PROJECT. NOW I WORK WITH ATL STYLE MAGAZINE. MUCH HAS CHANGED. SHANI HAS CHANGED AS WELL. BUT SHE ONLY GETS BETTER

I GREW UP WHEN BLACK & WHITE TELEVISIONS WERE STILL COMMON. IN 2000, I WROTE A PAPER ON COLOR THEORY. IN IT I ARGUED THAT WE (IMAGE MAKERS IN GENERAL AND PHOTOGRAPHERS IN PARTICULAR) ARE INFLUENCED BY THE DOMINATE COLORS OF OUR FORMATIVE YEARS. DURING THE LATE 70'S (MY TEEN YEARS WHEN I WATCHED A LOT OF TELEVISION) TECHNICOLOR AND BLACK & WHITE TELEVISON SERIES WERE THE NORM. HENCE, MY PRECEPTORS WERE TUNED BY SUCH TELEVISED MEMORIES. EARLY IN MY PHOTOGRAPHY, I COULD SEE AND THINK IN BLACK & WHITE AND SOFT HUES BETTER THAN I COULD IN THE MORE SATURATED COLORS OF TODAY. MY WORK REFLECTED THAT.